The Style of Xu Gang’s Ecological Reportage (论徐刚生态报告文学的风格)

Abstract

摘要
徐刚被誉为“环保作家”、“生态报告文学的先驱”，也是生态报告文学发展过程中的重要见证人。其生态文学有着极强的审美价值，为读者营造出一幅幅充满
诗意的自然生态画卷。他的生态报告文学的美学风格主要体现在主体亲历参与的真实美、叙事形式的诗意表达美。在结构上，徐刚运用新颖独特的结构框架配以适度的历史描写；在语言上，他使用了大量的科学语言，同时又辅以诗意的抒情语言，为枯燥的生态文学带来了美感。在叙述方面，他则运用宏大叙事法，既叙事结构的自由开放、全球化的叙事视野、深广的思想内涵以及跨文体的表达方式。过去，生态报告文学作家爱在作品中进行道德的呼吁以及现实的控诉，因此学者较少注重研究生态报告的文学艺术技巧，而这正是徐刚作品所具备的艺术特色。本文不仅探讨徐刚作品自然审美的鉴赏，还论及他如何从美学的向度和艺术技巧，思考人与自然之间的关系与法则。

Abstract
Xu Gang is considered as the “Environmental Literature Writer”, “Pioneer of Ecological Reportage”, and also an important witness in the development of ecological reportage. His ecological literature has a strong aesthetic value and creates poetic natural ecological picture for the reader. The aesthetic style of his ecological reportage is mainly embodied in the true beauty of the subject’s participation and the poetic expression of the narrative form. For the structure of his reportage, Xu Gang uses a new and unique structural framework with a moderate historical description; or the language, he uses a lot of scientific language, while supplemented by poetic lyric language, brings beauty to the boring ecological topics. For the narrative perspective and narrative mode, he uses the grand narrative method, which is not only free and open in narrative structure, but also full of the narrative vision of globalization, the profound ideological connotation and cross-genre writing method. In
the past, ecological reportage writers emphasized on the morality and their dissatisfaction with the human towards environment, therefore, few scholars pay attention to the artistic characteristics of ecological reportage. As Xu Gang’s reportages have artistic skills, this article focuses on how he connects the relationship between human and nature from the aesthetic dimension and artistic skills.